Introducing Chevy Stevens
In Chevy Stevens's first novel, Still Missing
, which has just been published to rave reviews and stellar sales, the reader might think that there are similarities between the heroine, Annie O'Sullivan, and the author. It's true that many first-time authors write thinly disguised versions of themselves at first. But in Still Missing, the main things that the protagonist and the author share are a profession - like her heroine, Chevy Stevens was a real-estate agent - and a drive to move forward.
Still Missing, which is narrated by Annie through sessions with her therapist, has such drive, and the character has such presence, some readers might think that Stevens is channeling herself. Not so. It's a work of fiction - but one that has the sharp sting of truth. In the novel, a woman recounts the tale of her abduction at an open-house, her agonizing captivity in the woods at the hands of a madman, and the aftermath when she is freed and begins to become aware that there is more to her situation than she had realized.
Stevens sat down with Criminal Element editor Bob Hughes to discuss how her new novel came about.
Bob Hughes, Criminal Element: You had a career as a salesperson before you took up writing.
Chevy Stevens: Yes. I was a sales rep for a teddy bear and giftware company, then I got into real estate. Then I left real estate and sold my house to concentrate on writing.
Bob Hughes: Just like that. A career change.
Chevy Stevens: I'm sort of an all-or-nothing personality. It felt like a calling.
Bob Hughes: And did you have an idea of where the novel would go at first? For many first-time writers, plotting is difficult.
Chevy Stevens: I had a few plot points in mind, certain things that I knew happened. But I just started writing. I heard her - Annie
- talking in a monologue and telling her story. I had a first draft in three months. Then I had to work very hard on the timeline. With my second book, I'm trying to get my timeline right first. Fixing it later is a problem.
Bob Hughes: Were there other areas you had to fix in the story itself? We know from the outset that she's been freed somehow - though we don't know exactly how
- because she's telling her story to a therapist.
: I worked really hard to get the second half as exciting as the first. I did a lot of rewriting. I tend to rewrite one character then go to another.
Bob Hughes: And the therapy sessions were there from the start.
Chevy Stevens: Yes. That helped with structure. I also wanted Annie to go through the five stages of grief, so that she was evolving as a character. That took a long time to get right.
: The character of Annie is interesting. She is fierce, and obviously damaged when we meet her. Did you work hard to keep her sympathetic to the reader?
Chevy Stevens: I think people identify with her. I think she's somebody trying so hard, and I think that's what people connect with.
Bob Hughes: The therapy sessions
- the beginning of each chapter
- sound so real. Did you do research to get them right?
: I didn't talk to any particular shrink. In my own twenties I had done therapy. I like psychology personally; I've read every self-help book. I lost my dad when I was young, and had done some therapy to get through that. We're always trying to improve.
Bob Hughes: Which is what the novel is really about
- moving on.
Chevy Stevens: It was never for me about just the abduction. It was the survival of it.
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